ARTIST BIOGRAPHY - DAWN INDUSTRY

Early Life

Born in Australia’s capital Canberra in 1976, during childhood Ivan Bullock enrolled in classical piano and violin training. By his teens, he had focused exclusively on violin, enjoying a point of difference by not just having the only white instrument case in town, but also playing a violin lovingly crafted by his (now deceased) Father (a part time instrument maker), from striking African hard wood “Zebrano”. By the age of 18 however, neck injury sustained from prolonged use of the instrument put an end to music creation. He became an avid collector and supporter of music, paying particular attention to experimental works, industrial, electronic and various sub genres of metal.

Mystral Tide’s Beginnings in Tokyo

The late 1990′s saw a large personal adjustment and long-term move to Tokyo, which soon became a catalyst for creativity and learning. The intensity, stress and isolation of central Tokyo living also birthed his first solo music project Mystral Tide, which ultimately lead to years of experimentation with piano, digital recording and hardware synthesis. The first instrument used for the project’s material was a Roland digital piano, loaned to him by a work colleague in a desktop publishing and language translation firm. Frequent trips to Shibuya soon eventuated in the addition of electric guitars, keyboards and a Korg MS2000.

By 2001 he had recorded two albums, “Moiety” and “Etchings”, and released a single titled “SY-S-D”. These self-published CDs were hand-distributed at gothic and industrial music themed events throughout Tokyo, as well as placed into larger music stores such as Tower Records and HMV in Tokyo’s busy Shibuya district. He was contacted by the Japanese publisher Shinyusha and an early recording “Forged” was released in the CD accompanying their magazine “Windows 100%” for the October 2001 edition (T1111863100802).

Later in 2001, having met Sean Cooper of Zeitgeist Records (Brisbane) online, the next album “Whirlpool of Souls” was manufactured in Australia. The release led to numerous performance opportunities in Europe and Japan, including Tokyo’s Labyrinth for the Brains V, Cyber Age Voodoo which Sean traveled from Australia to attend, Tokyo Goth & Darkwave 3, and support for experimental project Seij minus aÇ at the infamous Wave Gotik Treffen festival in Leipzig during 2002. Whilst in Germany, the label Sonic-X signed a distribution agreement with Mystral Tide for the album, under the condition that it underwent further post-production work. This didn’t eventuate as Ivan had turned his focus to recording a follow-up release.

Whilst residing in Tokyo he met Adam of Trucido, forming a duo to release an EBM album “Modus Vivendi“, also through Zeitgeist Records. Adam’s Alesis QSR synthesizer still forms a permanent part of Ivan’s recording studio. Ivan and Adam also became regular promoters and DJs of Tokyo industrial club, Cyber Age Voodoo, for its events during 2002.

The news of Mystral Tide’s work spread, “Whirlpool of Souls” receiving Album of the Month at the New Empire online magazine on 18th April 2002, coverage in Mick Mercer‘s book 21st Century Goth (Mercer, Mick (2002). 21st Century Goth. Reynolds & Hearn. ISBN 1-903111-28-5), as well as reviews by Electroage, Tokyo’s Metropolis Magazine (Dan Grunebaum (2002). Metropolis. Mark Devlin. Issue 411, 8th February 2002. p. 26), Australia’s Goth Nation Magazine (Jay (2003). Goth Nation. Goth Nation Magazine. Issue 3. p. 32. ISSN 14474476), and The Drum Media (Paris Pompor (2003). The Drum Media. Rural Press. Issue 654, 17th June 2003. p. 24). Mystral Tide was also mentioned in Industrialnation (Solomon Grundy (2003). Industrialnation. Issue 18. p. 10. ISSN 1062499X), in an article about Japan’s prominent members of the industrial music scene.

New recordings by Mystral Tide made their way onto several compilation albums during this era, including Cranial Fracture Recording’s “Dissonant Structures” in 2002 and Canberra community radio station 2XX’s “ElectriCity” in 2004.

Community Projects and Relocation to Australia

With half of a follow-up album recorded, Ivan returned to Australia in late 2003, first residing in Canberra before locating to Melbourne the year after. Whilst in Canberra, Mystral Tide was invited to present at Newcastle’s This Is Not Art festival [link to PDF scan of event program], in combination with Electrofringe [link to PDF scan of event program], about combining classical instrumentation into electronic synthesis.

It was later in Melbourne that he then connected with fellow Zeitgeist Records artist Cassandra’s Myth (later to be known as SleepLab), and began seeking out independent musicians interested in operating as a community, and working towards producing a series of live events (which would later become known as “Enzyme”). In response to the enthusiasm and interest from numerous local artists, he founded DEMUS (Dark Electronic Music Underground Society), an online community where artists could share their releases, news, events and connect with prominent members of the underground arts scene via a forum. In 2006 the project expanded to include Darkstereo, a public-facing website to sell member’s digital and physical works.

Both DEMUS and Darkstereo (under the umbrella of Dawn Industry), went on to co-ordinate, fund and produce 19 “Enzyme” live music and visual events throughout Melbourne between 2005 – 2015. They featured emerging artists ranging from experimental and noise, through to electronic pop, industrial and EBM. In 2010 a special event “Enzyme Tower” was produced for the Melbourne Fringe Festival [link to PDF scan of Fringe Program] with 13 acts across the 2 floors of Blue Velvet Nightclub, culminating in 6 hours of non-stop live music. The event programme [link to PDF scan of Enzyme Tower event program] included a compilation album CD. In conjunction with such events, several other compilation albums were released by DEMUS and Darkstereo including “DEMUS Compiled” in 2008 and its follow-ups “DEMUS Compiled II” in 2009 and a digital-only release, “DEMUS Compiled III” in 2013.

From the increased popularity of social media platforms for artist communication, the DEMUS website was closed by 2010, and replaced by a presence on Facebook.

Mystral Tide’s Final Releases

Recorded in Tokyo and completed many years later in Melbourne by 2007, Mystral Tide’s “Geometry of Loss” was a 3 CD set which included a 12 track album, an additional 8 tracks of previously archived and unreleased material, and 12 tracks of remixes by international supporters. The work quickly became out of print due to a limited run of physical media. During this time Ivan also contributed piano music for the score of “Entrapped“, a short film by Adam Haywood and Adam Clash, which was produced for the DVD format.

Mystral Tide’s final release came in 2009, a sorrowful and dark classical album titled “Isle of Narrows“. The CD version included a DVD containing all of the project’s former recordings, as well as videos originally mixed for live performances between 2009 and 2010. At its conclusion Ivan made an announcement online that all future work would come under a new title, “Minorarc“.

Minorarc’s First Recordings and the Infectious Unease Radio Compilation

After shifting focus from classically-inspired and predominantly gothic electronic music, Ivan began recording work to tackle the themes of urban decay and despair, at times heavily incorporating influences from the metal genre.

The debut album “Minorarc” was released in 2010, with a limited production run of hand-printed and assembled CD media. Three years later a 6-track “Involution” EP was released digitally as a collection of new material and re-interpretations.

During this period, Dawn Industry and Darkstereo worked with Infectious Unease Radio during 2009 and 2010 to produce a 4x CD compilation of music from artists who had been involved with the radio show since its conception in 1992. The Infectious Unease Radio Compilation Volume 1 quickly sold out, and was reviewed both favorably and in-depth by Mick Mercer in his blog.

Minorarc and Darkstereo Return

Between 2009 and 2019, Ivan’s energy was largely focused on live performances with SleepLab as a guest keyboardist and collaborator. In 2011 Mystral Tide was noted in the French music guide La Croche Lune by David D’Halleine (D’Halleine, David (2011). La Croche Lune. Lulu.com. p. 23, 45, 74, 189, 379. ISBN 978-1-4709-6520-4), and in this same year had music licensed to the Ten Network for their coverage of the 2011 Formula 1 Grand Prix in Korea. Ivan was also extensively interviewed by Australian Gothic Industrial Music about his career in 2017.

In 2020 Minorarc began recording a concept album “Untold“, the production fees for CD media and digipak artwork covered via a successful Kickstarter campaign. The album was a sonic representation of drowning and loss, fusing classical works with modern metal (djent) and ambient electronics. Released in 2022, it was accompanied by a digital “Blind Remixes” album where contributors were provided stems, but not final tracks, in order to produce their own interpretations. “Untold” was favorably reviewed and mentioned by numerous sites including A Closer Listen, was voted number 27 for Album of the Year by The Avant-Void, and triggered an interview with Nagamag.

Just three months after the release of “Untold”, a side-dish album “Overburden” was distributed digitally and included 10 new recordings which had been completed shortly after the Untold’s sessions reached completion. It formed a further exploration of the “Untold” themes, and the conclusion of the album’s concepts. The release was covered by Metalperver and Pitch Perfect, leading to an interview with the USA based Sound Pollution Podcast in their Episode 86.

In 2021 the Darkstereo site was re-established following requests from members of the Melbourne independent music community. It functions to this day as a news site for music reviews and articles about extreme, subversive and dark independent audio.

Minorarc’s most recent release was “Inclusions” in 2023, containing instrumental works of neoclassical and modern metal designed to portray dream-like states and flaws in perception. It received an Album of the Week at The Progspace, in-depth articles by York Calling and TJPL News (Jenna, Tamara (2024). TJPL News. Tamara Jenna Productions LTD. Issue 19, July 2024. p. 56, 57. ISSN 2977-0785), features by 1111CR3W, Mesmerized and Indiefferential (Indiefferential (2024). What’s New Special Edition. June Vol 4, 2024. ISBN 9781445274942), reviews by Metal Temple, Rock Era Magazine, Dulaxi, House of Prog, Obscure Sound, Extravafrench, track mentions by Progland, Metal Junkbox, Sounds Good Webzine, Skylight Webzine, and an interview with Lelahel Metal.

Present Day

Currently Ivan’s focus is on translating Minorarc’s last three albums into performance-ready work. He has engaged with a Melbourne violinist and bass guitarist who are currently at work recording and rehearsing. He also continues to write articles and review music at Darkstereo, whilst operating a small boutique gem-cutting business. For the Melbourne Fringe Festival 2024, Dawn Industry presented a digital event featuring 15 independent musicians and artists, which gained coverage by AAA Backstage Australian Music News.

References

Printed materials:

Jenna, Tamara (2024). TJPL News. Tamara Jenna Productions LTD. Issue 19, July 2024. p. 56, 57. ISSN 2977-0785.
Indiefferential (2024). What’s New Special Edition. June Vol 4, 2024. ISBN 9781445274942.
D’Halleine, David (2011). La Croche Lune. Lulu.com. p. 23, 45, 74, 189, 379. ISBN 978-1-4709-6520-4.
Jay (2003). Goth Nation. Goth Nation Magazine. Issue 3. p. 32. ISSN 14474476.
Paris Pompor (2003). The Drum Media. Rural Press. Issue 654, 17th June 2003. p. 24.
Solomon Grundy (2003). Industrialnation. Issue 18. p. 10. ISSN 1062499X.
Shawn Stanley & GMAN (2003). BMA. Radar Media Pty Ltd. Issue 178, 24th April 2003. p. 16, 19.
GMAN (2003). BMA. Radar Media Pty Ltd. Issue 185, 17th July 2003. p. 18.
Mercer, Mick (2002). 21st Century Goth. Reynolds & Hearn. ISBN 1-903111-28-5.
Dan Grunebaum (2002). Metropolis. Mark Devlin. Issue 411, 8th February 2002. p. 26.
Various (2001). Windows 100%. CD-ROM. Shinyusha. October 2001 edition. T1111863100802.

Websites (Reviews, Interviews and Articles):

Minorarc – Feature on Ivan Bullock 2024 by Testing Melodies. https://www.testingmelodies.com/post/classical-roots-to-metal-heights-a-story-not-to-miss-out-on
Minorarc – Inclusions Album Review 2024 by Rock Era Magazine. https://www.rockeramagazine.com/album-inclusions-by-minorarc
Minorarc – Inclusions Album Review 2024 by Dulaxi. https://dulaxi.com/unveiling-the-depths-minorarcs-inclusions-album-delivers-a-haunting-fusion-of-metal-and-classical-elegance
Minorarc – Inclusions Album Review 2024 by House of Prog. https://houseofprog.com/blog/2024/07/06/minorarc-australia-inclusions
Minorarc – Rising Star Feature 2024 by 1111cr3w. https://www.1111cr3w.com/post/rising-star-40
Minorarc – Feature and Interview 2024 by Mesmerized. https://www.mesmerized.io/minorarc-we-kind-of-exist-outside-of-industry-expectations-or-demands
Minorarc – Inclusions Album Review 2024 by Obscure Sound. https://www.obscuresound.com/2024/06/minorarc-inclusions
Minorarc – Inclusions Album Review 2024 by Extravafrench. https://extravafrench.com/2024/06/16/minorarc-deballe-tout-avec-inclusions-un-trip-sonore-a-sen-decoller-les-oreilles
Minorarc – feature on Ivan Bullock 2024 by York Calling. https://yorkcalling.co.uk/2024/06/14/feature-celebrating-two-decades-of-australias-ivan-bullock
Minorarc and Mystral Tide – Mention in History of Canberra electronic musicians 2024 by Canberra Electronic Music. https://canberraelectronicmusic.com/articles/history-of-canberra-electronic-music-artists
Minorarc – Inclusions Album of the Week 2023 by The Progspace. https://theprogspace.com/album_releases/week-35-2023/
Minorarc – Inclusions Album Review 2023 by Metal Temple. https://metal-temple.com/review/minorarc-inclusions/
Minorarc – Interview 2023 with Lelahel Metal. https://lelahelmetal.blogspot.com/2023/09/interview-minorarc.html
Minorarc – Meet The Blade Track Review 2023 by Metal Junkbox. https://metaljunkbox-com.translate.goog/lancamentos/minorarc-meet-the-blade/?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en-US&_x_tr_pto=wapp
Minorarc – Seven Times Burnt Track Review 2023 by Sounds Good Webzine. https://www.soundsgoodwebzine.com/minorarc-seven-times-burnt/
Minorarc – Bleeding Facet Track Review 2023 by Skylight. https://skylight.gr/index.php/2023/09/10/minorarc-bleeding-facet/
Minorarc – Untold / Overburden Album Review 2022 by Pitch Perfect. https://www.pitchperfectsite.com/indie-music-album-reviews/minorarc-untoldoverburden
Minorarc – Interview 2022 with Pitch Perfect. https://www.pitchperfectsite.com/minorarc-interview.html
Minorarc – Interview 2022 with Nagamag. https://www.nagamag.com/the-latest/minorarc-interview/
Minorarc – A Brief Afterthought Track Review 2022 by Metal Perver. http://metalperver.com/2022/04/05/minorarc-a-brief-afterthought/
Minorarc – Untold Mention 2022 by A Closer Listen. https://acloserlisten.com/2022/01/07/2022-winter-music-preview-rock-post-rock-folk-jazz/?fbclid=IwAR2Dy6VnUfnah2RRIvT3iIbEFYEfQFgTJQk2w9-B56YIGvhMfITx_2Gia3k
Minorarc – Interview 2022 with Sound Pollution Podcast. https://www.youtube.com/watch?v=K1oEx4uaxKM
Ivan Bullock – Interview 2017 with AGIM. https://www.australiangothicindustrialmusic.com/interviews/ivan-of-dawn-industry-mystral-tide-minorarc-sleeplab-enzyme.html
Mystral Tide – The Error Track Review 2010 by Mick Mercer. Retrieved from web.archive.org. https://web.archive.org/web/20240424034404/https%3A%2F%2Fmickmercer.livejournal.com%2F1036688.html
Mystral Tide – Whirlpool of Souls Album Review 2002 by Electroage. Retrieved from web.archive.org. https://web.archive.org/web/20020505040015/http%3A%2F%2Fwww.electroage-music.com%2Felecmystralrev.htm
Mystral Tide – Whirlpool of Souls Album of the Month 2002 by New Empire. Retrieved from web.archive.org. https://web.archive.org/web/20020418000540/http://www.newempire.com/music/aom.asp?SID=JHANGAJRFE6W11042002165910

Websites (Album Information):

Websites (Events):

AAA Backstage Feature on Enzymecomplex for the Melbourne Fringe Festival 2024. https://aaabackstage.com/explore-enzymecomplex-a-digital-showcase-at-melbourne-fringe-festival-2024/
Playlist from History of Dark Music Canberra 2016. https://blatantpropaganda.org/radio/2xx/singed/dj-robot-radio-special-canberran-dark-music-bands.html
Melbourne Fringe Festival 2010 Program. https://melbournefringe.com.au/wp-content/uploads/2022/08/2010_Program_MelbFringe.pdf
Electrofringe Event Program 2003. http://w.gailpriest.net/projects/electrofringe03_program.pdf
Electrofringe 2003. http://w.gailpriest.net/projects/ef0304_.html
Wave Gotik Freffen Lineup 2002. https://www.wave-gotik-treffen.de/past.php?reqYear=2002
Flickr Gallery of Enzyme Photos and Flyers. https://www.flickr.com/photos/27564018@N05/collections/72157613919321141/

Artist & Related Websites:

Minorarc. https://www.minorarc.net
Darkstereo. https://www.darkstereo.com
Mystral Tide. https://www.dawnindustry.com/mystraltide
DEMUS. Retrieved from web.archive.org. https://web.archive.org/web/20080103073945/http://www.tidalportal.com/DEMUS/html
Cassandras Myth. https://cassandrasmyth.com/blog/
SleepLab. https://sleep-lab.bandcamp.com/
Infectious Unease Radio. https://infectiousuneaseradio.com/
eXXentricity Compilation Artist List. https://www.criticalsenses.com/previous.html